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Archive
The 2015–16 exhibition
29 November 2015 – 6 March 2016
Its popularity growing, by 2015 Sculpture in the Gardens was bringing thousands of art lovers out to experience the beauty of the gardens, and introducing many garden enthusiasts to the experience of art.
Each sculpture this exhibition initiated a conversation between nature and culture, people and place. Regan Gentry’s recycled timber trees, Jeff Thomson’s wired-over pergola, and the moulded jugs of John Ferguson’s giant purple foxglove all stood as sentinels, marking the place to find an unlikely combination of sculptural materials. Ideas were put in motion: Llew Summers sent a couple waltzing To the End of Love while Bev Goodwin’s Girl Buoys pirouetted on the surface of the lake. Graham Bennett’s column of horizontal steel figures turned slowly to Push Away the Sky, keeping the air free for Sam Duckor-Jones’ ceramic figures performing headstands. Jamie Pickernell’s huge tripod of three interdependent steel struts held up an inaccessible viewing platform, just as Ramón Robertson’s figures peered down at us from their lofty shelf, keeping their distance from being toppled by Richard Wedekind’s three outsized dominoes beyond.
Formal concerns governed the stacking of glass balls into Garry Nash’s Waypoint on the plaza in front of the Visitor Centre, and geometry rules in the proportioning of John Edgar’s basalt disk as it nestled into the Urban Trees area. Marté Szirmay’s bronze disc and grid animated the light falling through its form into restless chequered patterns in contrast to the zen choreography of Natalie Guy’s Japanese garden titled karesansui. Manurewa means place of flying birds in Māori, and Jonathan Organ and Jessica Pearless made a large blind for unobtrusive observation of feathered friends. James Wright’s corten steel winged shapes led from the Rose Garden down into the Gondwanaland area, while Bing Dawe’s Titipounamu: A Necklace with Lost Gems is a reminder that before humans arrived, Aotearoa was bird land. Chris Moore’s gramophone enchants us with bird song and Samantha Lissette’s bronze bird offers a sturdy back to clamber on, en route to Lucy Bucknall’s baboon reading a book, waiting to be discovered in the trees by the lake.
The artists participating in 2015 were: Graham Bennett, Lucy Bucknall, Bing Dawe, Sam Duckor-Jones, John Edgar, John Ferguson, Regan Gentry, Bev Goodwin, Natalie Guy, Samantha Lissette, Chris Moore, Garry Nash, Jonathan Organ & Jessica Pearless, Jamie Pickernell, Ramón Robertson, Llew Summers, Marté Szirmay, Jeff Thomson, Richard Wedekind, and James Wright.
Winners
The McConnell Family Supreme Award
Jamie Pickernell, Keep
The Friends of the Auckland Botanic Gardens Acquisition (2 awarded)
Marté Szirmay, Seek
The Friends of the Auckland Botanic Gardens Acquisition (2 awarded)
James Wright, Ratiti Mya
The People’s Choice Award
John Ferguson, Khulu?
Artists
Graham Bennett, Push Away the Sky, stainless steel, corten steel, 1000mm x 1000mm x 4000mm
Lucy Bucknall, The Learning, fabricated phosphor bronze, 1700mm x 1400mm x 1000mm
Bing Dawe, Titipounamu – A Necklace With Lost Gems, laser cut steel, bronze, 2600mm x 900mm x 300mm
Sam Duckor-Jones, Strong men point their toes, ceramic, acrylic, enamel, steel plate, 300mm x 550mm x 2400mm (x5)
John Edgar, Lens, basalt (Timaru), granite (India), 1120mm x 1120mm x 850mm
John Ferguson, Khulu, galvanised steel, FRC fibre stone (polymers, silica fume, polypropylene and cement), 5800mm x 750mm
Regan Gentry, Woods from the Trees - Radiata, pinus radiata, steel, wire, fixings, paint, 4000mm x 2200mm x 5000mm
Bev Goodwin, Girl Buoys, aluminium sheeting, hand wound wire, steel pipe, copper, solar lights, 750mm x 350mm
Natalie Guy, karesansui, brass painted steel, plastic, bamboo, 2400mm x 600mm x 1800mm
Samantha Lissette, (Big Bird) Egg Chair, bronze, 1270mm x 570mm x 180mm
Chris Moore, Bird Songs, painted steel, corten steel, stainless steel, 4200mm x 2800mm x 2800mm
Garry Nash, Waypoint, blown glass, stainless steel, glue, sand, 1200mm x 900mm x 1850mm
Jonathan Organ & Jessica Pearless, Blind, H3 treated rough sawn Pinus radiata, black stain, stainless steel fittings, 3600mm x 3600mm x 3600mm
Jamie Pickernell, Keep, macrocarpa, galvanised steel, corten steel, stone, paint, 3400mm x 6000mm
Ramón Robertson, Gravity Bag, concrete, treated timber, galvanised rod, stainless steel, 1000mm x 1200mm x 2800mm
Llew Summers, To The End Of Love, bronze, 2000mm x 2400mm x 900mm
Marté Szirmay, Seek, sand cast silicone bronze, 100mm x 150mm x 1000mm
Jeff Thomson, "Truss", steel rod, steel mesh, wire, 7000mm x 7000mm x 1200mm
Richard Wedekind, Tipping point – the path of unintended consequences, galvanised steel, timber, fibreglass, paint, 2400mm x 1200mm x 2400mm
James Wright, Ratiti Mya, corten steel 1500–6000mm, variable widths